It's sublime.ĭAMIEN may identify as queer but they show us they are no prima donna as Snap, Crackle and Pop (aka technical issues) are making random guest appearances in the equipment during their first few songs, which I might say are all scoring much higher than '2 out of 10'.ĭAMIEN and punters are unfazed by this added texture but after the third song, the venue owner come sound techie (clearly a clever and welcomed jack of all trades) comes in to identify where the mischievous trio are hiding – in a direct box and he evicts them to resolve the glitch.
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All falls quiet as they choose to start this celebration with a melodic a capella start of 'Dreamer', the last track from their new EP. What a banger that hooked them some new followers who they have primed well for the main act.ĭAMIEN is quick to take to the stage to launch their new EP and there is a cheer from the crowd and a couple of whistles welcoming them on stage. Punters got right into their track 'Like It' with its spicy, salsa-style beats and catchy chorus.
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At one point Jesse – who has been unable to remain still on stage for a second – sits on the end of the stage and has us thinking he is unwell (I suspect this may be a ploy as they introduce their song about feeling sick).ĭylan on bass and the hitchhiker on tubs are swapping instruments for a few songs as Dylan has hand cramps – this is leaving Jesse to brave cracking a Dad joke about suits before introducing their song about cheap suits.Ī stellar set and watching them jump around had me wondering if the stage had anti-gravity properties. Either the brothers have evolved their groove into a trio format, or picked up a travelling drummer on their orbital flight to the gig – tonight they are a trio.Įlectro punk-pop beats come at us with a ferocious and infectious energy. Sailing In Space are brothers Jesse Randall (vocals, keys) and Dylan Randall (bass, drums, vocals, programming) from Nambour – yet there are three cosmonauts onstage. Sailing In Space - image © Clea-marie Thorne No jocks or jockstars, just local rockstars, fans, venue operators and punters getting their dialogue on. So nice to be among likeminded and good-natured punters. It's like you're hanging out in your own rumpus room or bar area. While they pack down and the next act Sailing In Space prepares to set up, both venue rooms are buzzing with chit-chat – there is such a super-friendly mood in this joint. They have definitely scored themselves some new fans tonight and I feel like their set is way too short. With enormous presence the duo are making enough glorious heavy dance beats for six band members. Their live performance has me soaking up a variety of '90s and '00s flavours and two that come to mind are Powerman 5000 and Pitchshifter that stand out at times above the lingering vintage electro metal palate. Karoshi attack us with bursts of brutality that's vibrating the heck out of my work week and has me feeling invigorated. Although Lignane's hair is looking peacock bright in this light – jokes, it's all rock & roll, Daddy-O! No stage fright or nerves from Gale or Lingane! They take to the stage like the seasoned pros they are, with all the self-confidence and attitude of tigers without any pretentious display. I sure don't want the fate of Karoshi and I let the bass wash over me and cleanse me of my 9-5 stresses.
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What better way to vibrate away the stresses left over from a full-on workday than with intense, heavy and chunky guitars, hefty programmed sounds and super-thick beats. I was recommended Karoshi by a mate and I was not disappointed. The opening act is a Brisbane-based duo, David Gale and Mark Lingane, as Karoshi (translated as death by overwork). Wrong Gender'.ĭAMIEN (Damien Johnson) is sharing the fun of their launch not just with punters but with two support acts. To see? DAMIEN launch their self-produced EP 'Wrong Age. It's a Thursday night (9 June) and yes siree, I am out on a school night for some live music action!ĭestination? That'd be King Lear's Throne in Fortitude Valley (Brisbane).